More and more writers email with questions about promotion, how they can find radio and media outlets in my part of the country--Southern California.
Questions like this, anymore, just stop me. Maybe if I were more organized, I'd have a list I could send to the hopeful writer. When I was a publicist, I did have those lists. But that ended in 1997, when I went freelance.
These days, more often than not, the promotion I do for
Orange County Noir and
Pen on Fire (now in its 8th printing--yay!), is made up of bits of this and that, not just radio and media outlets. Actually, radio and newspapers make up such a small a piece of the promotional pie. If you want these outlets, you can find them by Googling. I know,
I know, you can spend all your waking hours Googling (oy vey!) with little time leftover for writing.
I've done radio shows--out in Palm Springs, up in Portland--and a couple of TV shows (Barry Kibrick's Between the Lines that broadcasts out of L.A., and Maria Hall-Brown's Orange County KOCE show), but otherwise, it's all bookstores, events and blog Q&As.
Southern California has more and more literary events, I'm happy to say, other than my own Pen on Fire Speakers Series. Book fairs at colleges, AAUW, which hosts literary luncheons and monthly events, women's clubs, bookstores, book groups, writers groups. But much of this takes your own so-called elbow grease. So many of the events I take part in are the result of following up on leads, responding to requests, and seeking out organizers. Or I speak somewhere and someone there generously suggests my name to the organizer of another event.
Blogs, too, are great ways of getting the word out. Get your book before prominent bloggers or offer to do Q&As for writers' blogs, big and small.
This sort of promotion fits in with my premise about how busy people--well, how I, anyway--get writing done: It's with bits of time scattered here and there. Amazing how the pages mount.
Likewise, with promotion. Doing a little bit every day, or one full day a week, will result in a busy schedule. Doing favors for other writers, too, often results in those writers doing favors for you. The worst thing is when you never do favors for other writers, never go out of your way to help them in some small--or big--way, but expect them to help you.
Doing promotion out of area is daunting. If I was wanting to do promotion in New York, say, I would write to all the authors/booksellers I know in NY and ask them for one lead. Just one. That's something a person can get their mind around. Asking for a bunch, well, that's impossible.
If you want a bunch, and don't want to do the legwork--and who does?--you can hire a publicist. So many editors and book people have become publicists. Authors know who they are in their particular area. In Southern California we have a few good ones: Kim Dower at Kim-from-L.A., Tricia van Dockum at Ollie Media (out of San Diego), and Debbie Mitsch Literary Services in Huntington Beach (based in Orange County).
It's worth spending the money (on out of area PR) so you can use your time to write and not fret. Because these days, writing and marketing go hand in hand, like it or not. I don't mean to sound cruel; it's just the way it is and if you simply accept it, you can get on with your writing life.
Posts
